against a deep blue sky. The road is red.
Purple mountains surround Mike on all sides far in the distance,
ten miles away. Mike looks in front of him at a long stretch of
road that disappears into the horizon.
Mike looks at his wristwatch on his arm. He times how long it
takes to walk ten steps down the road.
Ten seconds. He glances back at a duffel bag. The duffel bag
falls over.
Mike looks
soliciting cannot be ill, cannot be good
If ill, why hath it given me earnest of success,
commencing in a truth?
I am thane of Cawdor.
If good, why do I yield to that suggestion
whose horrid image doth unfix my hair,
and make my seated heart knock at my ribs
against the use of nature?
Worthy Macbeth,
we stay upon your leisure.
Give me your favour: my dull brain was
wrought with things forgotten.
against HIV/AIDS positive people, and to strengthen the solidatry between the HIV/AIDS infected and the non infected. The message was delivered through newspapers, magazines, TV, radio and other sources of media and its goal was to correct wrongful knowledge people had about AIDS. It went as far to even send a AIDS related pamphlet to every household. In case of the posters the Swiss health autho
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we